The Story of Ganesa: 17. Agasthya and the boy sculptor | INDIAN MYTHOLOGY

 

The Story of Ganesa: 1. The advent of an incarnation | INDIAN MYTHOLOGY
The Story of Ganesa: 17. Agasthya and the boy sculptor | INDIAN MYTHOLOGY
INDIAN MYTHOLOGY

The Story of Ganesa: 17. Agasthya and the boy sculptor

Sage Agasthya, stung by his wife Lopamudra's complaint that he had not provided her with clothes and ornaments befitting a princess, had come out of his hermitage in search of enough wealth to fulfil her desires.

During his wanderings, he came upon a piece of rock on which, he thought, he saw an image of Vighneswara. Pleased with his prayers, the Lord appeared before him. The sage now very much wanted to have the rock carved into a statue of Vighneswara.

In the forest dwelled two rakshasas, Vatapi and Ilval, who indulged in magic to rob the wayfarers of the money and other wealth they carried with them. They accosted Agasthya and began playing tricks on him. The sage, however, guessed who they were and thwarted their attempts. Soon, the rakshasas were taking to their heels to save themselves from shame.

Agasthya then found their hide-out and came upon the wealth they had collected from innocent people. He called everybody from the neighbourhood and distributed a portion of the wealth to them. With the remaining money, gold coins and ornaments, and precious stones, Agasthya thought of raising a whole city which would give shelter to many people, who would then lead a peaceful life.

Soon, a city rose around the rock on which the sage had seen the image of Vighneswara. It was named after Vatapi. The sage had codes of conduct and administration inscribed in every nook and corner of the city. The people conducted their own affairs in a very democratic way. Ultimately, Vatapinagari became an ideal city.

Agasthya now turned his attention to carving a statue of Vighneswara. He found that his wife Lopamudra was a good artist. She inspected the rock and drew a picture of the Lord which could be the model for the statue. However, Agasthya could not find a competent sculptor to carve the image. The sage spent days looking at the picture and at the rock.

Some sculptors, on seeing the rock, commented that it was no ordinary rock, and it had some particles of diamond, which gave a peculiar sheen to the rock. They said, only the devas or yakshas would be able to sculpt and that, too, with special chisels which had some divine quality.

Agasthya now meditated on Lord Vighneswara. He sat before the rock and made an earnest plea: "O Lord! My desire to have your image carved out of this rock has remained unfulfilled. O Vighneswara! It's your responsibility to see that my desire gets materialised."

As there was no immediate response to his prayers, Agasthya continued to sit in front of the rock without getting up for a drop of drink or a morsel of food. One day, he woke up from his reverie on hearing someone address him: "O sage! What is that you chant in front of this huge stone?"

Agasthya saw a young boy standing before him. He was somewhat fat and had a paunch. He was holding in his hand something shining. It could be a knife or a chisel. "I've come here in search of work," the boy added.

"Are you a sculptor?" queried Agasthya. "I've been very eager to have a statue carved out of this huge stone in front of us - a statue of Lord Vighneswara. Here, look at this picture." The sage then unscrolled the picture of the Lord made by Lopamudra. "But tell me, who are you? What do you do for a living?"

"Oh! I wish to eat to my heart's content, and for that I go about sculpting figures," replied the young boy with a smile. "I'm called a boy-sculptor."

Agasthya took a good look at the boy and said, "But this stone is too huge for a little boy like you. How can I ask you to do the job for me?"

The boy now began to laugh. "Look at this chisel. I can do wonders with it," responded the boy and showed the implement in his hand. It was glistening like a diamond. He then hurled the chisel against the huge stone. The chisel hit it with a thunderous noise, and where the chisel hit, the stone had broken into pieces.

"This stone has an unusual quality. As the chiselling goes on, it will illumine with a powerful glow which will blind anybody near it. So, O sage, I would advise you to go home and be rest assured that the statue would be ready by tomorrow morning."

Agasthya was also feeling tired and so he decided to go back to his hermitage. As he was about to leave, he handed the picture in his hand to the young sculptor, who said, "I've already seen it, there's no need for me to take another look at it."

Agasthya went back, taking with him whatever items he was left with after distributing the wealth recovered from the hide-out of the two giants. On seeing them in her husband's hands, Lopamudra felt ashamed and apologised to the sage. “When I’m wedded to a hermit, I must also decide to lead the life of a hermit's wife. I should not have desired for riches and luxury. Please forgive me."

Agasthya told her about the young sculptor and said, "He has promised to carve out the figure of Vighneswara just as you have drawn His image."

"And you say, the statue would be ready by tomorrow morning?" Lopamudra said unbelievingly. The sage lay down, but no sleep would come to him. He tossed this way and that for a long time, and then got up and went to where the young sculptor was at work. He could not believe his eyes. It was not one pair of hands that was at work, but several pairs and they all were holding glistening chisels. Agasthya fell down unconscious.

When he woke up, he saw the boy-sculptor standing near him, smiling. It was already dawn. "You may go and ask whoever had drawn the picture to come here and see whether the statue looks like the image that has been drawn."

"I told you it was drawn by my wife," said the sage. "There! She’s coming to meet us. Let's listen to what she says."

Lopamudra was wonderstruck at what she saw. Whoever was the sculptor, had captured all the details she had drawn in her picture of Lord Vighneswara. She stood silently in front of the statue for sometime forgetting herself.

Agasthya turned to the young boy and said, "Pray, what kind of remuneration can I offer you for the job you have done?"

The boy-sculptor did not reply him directly but looked at Lopamudra. "Mother, just give me one of the laddus you have brought."

Lopamudra placed the tray she was carrying at the feet of the young boy and prostrated in front of him. "O Lord Vighneswara! Please accept our humble offering and bless us!"

The sage, too, prostrated in front of the young boy. "O! Remover of Obstacles! I had always taken pride in my yogic powers. Yet, I was unable to recognise You when You appeared to me yesterday. Please forgive me."

Vighneswara blessed Agasthya and Lopamudra and then disappeared. The sage and his wife began to sing in praise of Vatapi Ganapati. 

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